Normalizing a Nigger Nightmare

The calm, deliberate composure with which he spoke of his late deeds and intentions, the expression of his fiend-like face when excited by enthusiasm, still bearing the stains of the blood of helpless innocence about him; clothed with rags and covered with chains; yet daring to raise his manacled hands to heaven, with a spirit soaring above the attributes of man; I looked on him and my blood curdled in my veins. – The Confessions of Nat Turner, Thomas R. Gray, 1831

When I was in grade school, even in a predominately colored classroom, my teacher knew better than to bring up the psychopath mass-murdering nigger, Nat Turner. The colored people then, even in the early 1990s, knew it was a topic that should not be taught to Virginia school children, out of deference to Whites and because it wouldn’t be in good taste. Normalizing a mad slave with a penchant for talking to angels and murdering White men (usually while they were sleeping), women and children was beyond the pale.

Not in the Current Year though. On October 7th, Fox Searchlight Pictures will be releasing the film The Birth of a Nation. The film will be (((Hollywood’s))) continued assault on White culture and no doubt will be romanticizing Nat Turner and his failed uprising. At the film’s premier at the 2016 Sundance Film Festival, the film won the Audience Award and Grand Jury Prize, as well as, received a standing ovation. This unoriginally titled piece of garbage was co-written and directed by uppity jiggaboo Nate Parker (who naturally has had his share of criminal behavior accusations). Count on pressure from the perpetually agitating niggers in Hollywood to push for this film to receive an Oscar.

The fact that this film was even produced should make even a normie’s blood boil. Here’s the description of the film, “Set against the antebellum South, The Birth of a Nation follows Nat Turner, a literate slave and preacher, whose financially strained owner, Samuel Turner, accepts an offer to use Nat's preaching to subdue unruly slaves. As he witnesses countless atrocities--against himself and his fellow slaves--Nat orchestrates an uprising in the hopes of leading his people to freedom.” But, as is typical with Hollywood – it’s all bullshit.

I’ll split hairs for a minute first. Nat Turner was originally owned by a Benjamin Turner and then, ownership was transferred to his brother, Samuel Turner. Benjamin Turner’s own son taught Nat Turner how to read (the more restrictive slave codes, such as prohibiting the teaching of slaves to read or consume hard liquor, was passed because of this murderous monkey). Also, there’s no evidence that Samuel Turner even used his nigger to subdue unruly slaves through preaching--Nate Parker just made it up. As for countless atrocities witnessed by the soon-to-be-lionized Nat Turner, there’s no evidence of this either--none. Nat Turner’s master, during the critical period leading up and during the failed insurrection, was Joseph Travers (an actual victim not even included in the film). Nat Turner, before he was justly executed, even described his own master as trusting and kind, but the "work of death"--as he called it--required that every slave owner and his family be fatally punished. In fact, most of the slave owners in Virginia felt that they had provided a benevolent and kind guardianship over their slaves.

The attack in Southampton County, Virginia, began around two o’clock on the morning of August 22, 1831, when Nat Turner started by murdering Joseph Travis as he slept in his bed. Turner described the scene as, “the hatchet glanced from his head, he sprang from the bed and called his wife, it was his last word, Will laid him dead, with a blow of his axe, and Mrs. Travis shared the same fate, as she lay in bed. The murder of this family, five in number, was the work of a moment, not one of them awoke; there was a little infant sleeping in a cradle, that was forgotten, until we had left the house and gone some distance, when Henry and Will returned and killed it.” They also dumped the baby’s body in the fireplace once they were finished. Turner and about fifty of his followers, mounted on stolen horses and with the guns, axes, swords, and clubs that they had taken from neighboring plantations, then went on a murderous rampage.

Below is the list of those murdered by Hollywood’s newest “magic negro” hero. Note the amount of women and children.

  • Joseph Travers and wife and three children,
  • Mrs. Elizabeth Turner,
  • Hartwell Prebles,
  • Sarah Newsome,
  • Mrs. P. Reese and son William,
  • Trajan Doyle,
  • Henry Bryant and wife and child, and wife's mother,
  • Mrs. Catherine Whitehead, son Richard and four daughters and grandchild,
  • Salathiel Francis,
  • Nathaniel Francis' overseer and two children,
  • John T. Barrow,
  • George Vaughan,
  • Mrs. Levi Waller and ten children,
  • William Williams, wife and two boys,
  • Mrs. Caswell Worrell and child,
  • Mrs. Rebecca Vaughan,
  • Ann Eliza Vaughan, and son Arthur,
  • Mrs. John K. Williams and child,
  • Mrs. Jacob Williams and three children, and
  • Edwin Drury.

The level of unbridled hate and carnage against the unsuspecting Whites is almost unimaginable. For instance, after being chased down and cornered in a cotton field, the Rev. Richard Whitehead, who had once allowed Turner to preach in his churchyard, pleaded for answers, only to hear in response, "Kill him! Kill him! Kill him!" Turner’s crew even annihilated a schoolhouse full of children. Rebecca Vaughan was praying as the animals murdered her. Capt. John Barrow, a veteran of the War of 1812, fought to the bitter end--he killed several attackers with his musket, pistol and sword before being overwhelmed by sheer numbers. Turner and his barbarians reportedly drank Barrow’s blood because of his bravery.

Once news of the attacks on innocent Whites was reported, it didn’t take long for militias (or White men with agency) to utterly crush the rebellion. In the aftermath of the insurrection, 45 slaves, including Turner, and five free Blacks were tried for insurrection and related crimes. Surprisingly, of the 45 slaves tried, 15 were acquitted. Of the 30 convicted, 18 were hanged, while 12 were sold out of state. Of the five free Blacks tried for participation in the insurrection, one was hanged, while the others were acquitted. So much for brutal White repression.

In typical nigger fashion, Turner admitted to killing only one person, a teenage girl, and pleaded not guilty (according to court records, he told his lawyer he “did not feel” guilty). Eventually though, Turner received his just deserts. On November 11, 1831, after a six day trial on charges of “conspiring to rebel and making insurrection,” Turner was convicted, sentenced to death and hanged in Jerusalem (present-day Courtland), Virginia. In a nice bit of bloodthirsty revenge, Turner’s body was also flayed, quartered and beheaded. Perhaps a myth, but John W. Cromwell, in a 1920 article in the Journal of Negro History, wrote that, “Turner was skinned to supply such souvenirs as purses, his flesh made into grease, and his bones divided as trophies to be handed down as heirlooms.” Fear works.

The fact that Hollywood would dare make this film and idealize a homicidal madman hell-bent on exterminating the White race is all you need to know about the war on our race. If you meet a White man (or woman) who even thinks about seeing this film--shame them. To watch this film, that propagandizes the slaughter of White men, women and children, is at best moral cowardice and at worst treasonous.

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